The domain of the digital must belong to users, -invisible, without a name, a role, or any interest. Here, life has been curated to a single extension, a meaningful and meaningless imagery. Are people hidden by too many images? Do they become images? Once virtualized, our skin becomes permeable and one day, it will detach itself completely from the hyper body and vanish. We [individual intelligences] have our image, like a wheel’s tire, stripped of its own form through its continued use. This, a practical evasion of biometric facial recognition -as the spectacle is the realm of vision, and vision is exteriority- is a dispossession of oneself. How dreary to be somebody! Shamefully elitist and ego driven. But telepresence is always something more than just the projection of the image. Am I the one to become nobody on the void of a digital screen? Or is my being entangled into my process? Hello, I’m nobody, who are you?

Welcome to the archive space

of work by ẅhŏddăŧ




hello@whoddat.me

born in São Paulo, based in Barcelona, discussing art, graphic design & technology.










I am Nobody! Who are you?(1)

 
[1] Here's the completet portfolio .pdf~

[2] Here's my full CV~
My Happy SVG








Welcome to the archive space              of work by ẅhŏddăŧ




hello@whoddat.me based in Barcelona,
    discussing      
    art,graphic design &
    technology.

My Happy SVG










My Happy SVG
Un_Destroyable 

   [3D Animation]

                 2021


Can the digital realm shape a city’s landscape? Does the process of algorithmically compelling details feel enough to develop its topography? “Un_Destroyable” is an abstract vision of a city, its processes of historical formation, through an abstract representation of manipulation of terrain and the construction of structures. Computational images do not exist without the notion of computational color, and vice versa – so does the land exist without the notion of spatial promise? Can the digital represent a timeline of events that help shape a landscape? Does interference, inputs, and features that compel the centers, villages, mountains, and population be translated into a complex system by itself that is technology?

Credits:

3D Animation and soundtrack by Nobody


(1)

My artistic practice was curated by a poem called ‘I’m Nobody! Who are you?’ from Emily Dickinson, that confronts the fame and authorship in a beautiful and inspiring way. 
My artistic name, as I use, is Whoddat, allowing the anonymity to be its center while appropriating the Internet language as poetically written.